“Once upon a time…”, a new installation by a person of the pioneers of Turkish modern day and conceptual art, Füsun Onur, is presented at the Pavilion of Turkey at the 59th Worldwide Artwork Exhibition of La Biennale di Venezia. Commissioned and generated by the Istanbul Basis for Tradition and Arts (İKSV) and realised with the contribution of the Ministry of Lifestyle and Tourism below the auspices of the Ministry of Overseas Affairs of the Republic of Turkey, the exhibition is curated by Bige Örer.
Füsun Onur has pushed the boundaries of portray and sculpture for extra than half a century, providing sort to her art via intuition and instinct and making a language past time. Uninterested in dominant artwork-entire world developments, Onur has ongoing to produce delicate and discreet is effective for a long time, designed from uncomplicated, daily elements billed with autobiographical references. A very influential determine in the modern artwork scene in Turkey, she has a world existence but has been beneath-recognised in the global artwork earth. Her apply, which can be recognized via the lens of feminist artwork record, attracts on her private daily life and employs common and domestic mediums, these as weaving and textiles.
At the 59th Intercontinental Artwork Exhibition, la Biennale di Venezia, Onur displays a new installation titled “Once upon a time…”, in which she has established different figures and scenes by bending and shaping metal wire. It is as a lot a portrait of a time crammed with anxiety, dread, and ambivalence as it is of the thoughts of solidarity, like, and the joy of daily life. In “Once on a time…”, the artist tells an evocative tale using a minimalist approach, turning a vital eye on the present-day issue and inevitably the pandemic, and the threats they pose to the long term of the entire world.
Onur has worked for the previous two yrs to build a fable that unravels about clouds distribute during the Pavilion of Turkey exhibition place. In her installation, she depicts a wrestle waged by cats and mice united from the governing logics of anthropocentrism, which harms character and the earth by arrogantly ruling about them. Her figures, with their ping-pong-ball heads and colourful clothing created from crepe paper, dance, make songs, journey, and slide in adore.
Füsun Onur clarifies: “Wherever I go, I take Istanbul with me. As soon as on a time… is a tale set in the pandemic, which begins in Istanbul and finishes in Venice. I tell the story of a incredibly good mouse, who joins forces with a cat for a divine intention: to enable help save the ecosystem human beings have destroyed. Alongside one another they unite and sail to Venice, wherever our principal character finds appreciate just after the most complicated of occasions. It is a tale of solidarity, really like and the pleasure of getting equipped to remain alongside one another. And just like the fairy tales, we really don’t know how specifically it ends… for now.”
Devised like the scenes of a phase engage in, the set up opens the doorway onto a new and enjoyable planet. In a time when everyone’s lifetime has been turned upside down, when all acknowledged truths are currently being questioned, Onur as soon as all over again casts apart all anticipations to set up her own scale, giving a masterwork about conceiving choice worlds, making new languages, studying from nonhumans, and loving and dwelling collectively. Each scene can be understood on its individual but together kind a narrative that appears to be like back on the present from various generations in the long term.
Onur presents uncomplicated notes for each scene that concisely narrate the tale with poetic language. Narrative does not supersede the planet professional in the exhibition house it basically accompanies the viewer, presenting keys to enter into the fable. The ending is left to the viewer it invitations numerous opportunities and encourages us to imagine various narratives, introducing new meanings to the exhibition by viewing it through our own marriage to the world, to art, and to Venice.
The exhibition is devoted to the memory of İlhan Onur, whom we misplaced recently. She has been much more than a beloved sister, supporting Füsun Onur during her full daily life. She produced the archive, photographed every exhibition and collected all the facts. She was the a single who searched for products, supported the output and the set up of the is effective and celebrated Füsun’s creative imagination. We believe her memory will dwell jointly with this exhibition.
At Arsenale, Venice
right until November 27, 2022